David Gagnebin-de Bons is a swiss photographer born in 1979. He graduated from the Applied Art School in Vevey (Advanced training in photography program, 2003) where he’s now teaching.
His work is oriented towards the narrativity of the dreams and the links between literature, places of memories and photographic medium. Photography becomes a tool to open new spaces of imagination for the viewer through an ongoing process of telling personal stories.
David Gagnebin-de Bons is a member of near, swiss association for contemporary photograhy (www.near.li).
Espace CHUV, Lausanne (CH).
En collaboration avec Elise Gagnebin-de Bons
Retour au calme
Galerie Davel 14, Cully (CH)
2010
Espace CHUV, Lausanne (CH).
En collaboration avec Elise Gagnebin-de Bons
Retour au calme
Galerie Davel 14, Cully (CH)
2010
Espace CHUV, Lausanne (CH).
En collaboration avec Elise Gagnebin-de Bons
Retour au calme
Galerie Davel 14, Cully (CH)
2010
Espace CHUV, Lausanne (CH).
En collaboration avec Elise Gagnebin-de Bons
Retour au calme
Galerie Davel 14, Cully (CH)
2010
Espace CHUV, Lausanne (CH).
En collaboration avec Elise Gagnebin-de Bons
Retour au calme
Galerie Davel 14, Cully (CH)
2010
31 × 1435 cm,
Leporello made of 35 cyanotypes
Brain waves of my dreams
Snowy mountains in an endless dusk
60 × 80 cm,
Ultrachrome print on baryta paper, framed
Melancholiy, moonfish and drowned world
exhibition at Circuit
70 × 50 cm,
Salted paper photograms
How do we live with ectoplasm
And what they do to us
100 cm,
Ultrachrome print embeded in acrylic glass
Shapes of the shaman’s soul wandering in nature
80 × 100 cm,
Ultrachrome print on hahnemuehle paper
Houses and places visited in my dreams. Made of wax and memories.
20 × 25 cm,
Ilfochrome print
Pictures from my childhood memories
250 × 200 cm and 200 × 160 cm, 9 big cyanotype on paper
Big cyan projection surfaces